Why Docudrama?

Why Docudrama?

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When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a qtelevision program alters nothing.q But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that qreality-based stories taken from topical journalism are the most popular drama genre on U.S. and British television today.q This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual filmmaking process, the eight essays in the second part focus on how qdocudrama as a 'commodity' is created in the United States and England.q Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler's List, and In the Name of the Father. In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W. Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshitsky, Ian McBride, Richard Alan Nelson, Conor Cruise O'Brien, Derek Paget, Robert A. Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman, D. J. Wenden, Sita Williams, and Leslie Woodhead.So, gradually, this book was born. Why Docudrama? is divided into three parts. Part one covers the main theoretical, political, and sociological problems of docudrama. The authors define docudrama and examine its rationale. They look atanbsp;...


Title:Why Docudrama?
Author: Alan Rosenthal
Publisher:SIU Press - 1999
ISBN-13:

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